“The launch of the Acoustasonic Player Telecaster feels like a no-brainer move for Fender, spreading the potential appeal of what is virtually a whole new category of guitar. The feel of the bevelled arm rest and fingerboard edges says quality and comfort this is an inviting guitar and that Modern Deep-C neck will feel familiar to anyone who has played the electric Player series models.” A lovely dark rosewood fingerboard and bridge replaces the US version’s ebony, but that’s not anissue for us. “In terms of feel and build, we honestly can’t find a compromise between this Ensenada-made Player and the US Acoustasonics we’ve tried. MusicRadar: The onboard voice options might have been scaled down but the Acoustasonic Telecaster sticks the landing as a Player Series model, in what could be one of the guitars to make the hybrid build truly go mainstream.įender Player Series Acoustasonic Telecaster: The web says That, in sum, is the sort of thing the Acoustasonic format encourages. That said, it can be pressed into service of many different kinds of styles, perhaps some that are all your own. It is warmer, with a little more width than you’d expect from a Tele’s bridge pickup. Fender promises twang but this isn’t Pete Anderson levels of twang. Park yourself on position one for a more traditional electric guitar experience, but don’t necessarily expect a traditional Telecaster experience. In a sense, this is a sound that almost exists outside of the spectrum of acoustic/electric tones, and is sure to support pedalboard experimentation. The sound is just coming from the piezo and as you turn the blend control it adds drive. Here is where the true hybrid tones are, and as such, there are fewer references for what we are hearing. From the allover colors of tees and tanks to the lightweight jackets that keep you comfortable, active, and moving.The Lo-Fi voicings are interesting. ![]() ![]() With so many options for men’s Nike Air Max styles, there are plenty colors and style in apparel to complete your look. The upper is meant to resemble a rib cage and spine, two biomechanical marvels that both move and flex strongly and naturally. ![]() Nike’s Air Max 95 also features a wavy look, but its inspiration came from the human body. Behind those reinforcements lie a brilliant color gradient that bring to mind a sunset. ![]() That included the Air Max Plus (1998), which features wavy reinforcements on the upper that were inspired by the palm trees that designer Sean McDowell recalled from the beaches of Florida. Max out your AirĪs the heat around the Air Max running shoes grew, Nike expanded its Max Air-cushioned offerings. It’s also visible on the “Air Max” inset directly above it and the “Nike Air” plate on the heel counter.Īnd of course, all of the Air Max entries carry on that studded waffle outsole that Nike co-founder Bill Bowerman concepted from his wife’s waffle maker. The hits of color keep coming with the colorblocking around the window to the Max Air unit under the heel continues. The Air Max 90 maintains the double-layered foxing of its immediate predecessor, the Air Max Light (1989), which offers another option for colorblocking. It’s designed to give you the option of a narrower or wider lacing pattern to customize your fit, as well as offering a hit of color in the midfoot part of the upper. The most visible of those carryovers was the plastic adjustable lace tab set at the eyelets. And it drew design elements from its two predecessors that sparked and fueled Nike’s “Air Revolution” begun in 1987. The Air Max 90 began life as the Air Max III when it debuted in 1990.
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